Shows and Events
“THE REALISTIC JONESES.”
“Plays as funny and moving,
as wonderful and weird as The Realistic Joneses, by Will Eno,
do not appear often on Broadway. Or ever, really.”
The Boulevard Theatre, Milwaukee’s premiere alternative theatre, continues its 33rd season by presenting the MILWAUKEE PREMIERE of acclaimed New York playwright Will Eno’s daffy comedy THE REALISTIC JONESES(Thursday, May 9 through Saturday, May 18, 2018). All performances of this heightened concert reading (95 minutes, no intermission) occur at Milwaukee’s Plymouth Church, in its intimate (second floor) Graham Chapel. Plymouth Church is located at 2717 East Hampshire, one block east of the University of Wisconsin-Milwaukee campus, just off of the intersection of Downer and Hampshire. For more information per Milwaukee’s Plymouth Church, please visit their website (http://www.plymouth-church.
This very special concert reading is an enriched artistic experience, through a more emotionally ”heightened” approach than typically seen in more standard stage readings. Significant focus will be given to the inner meanings of Eno’s sharp, pointed dialogue while showcasing the playwright’s delightful, daffy humor. The necessary stage directions will be narrated by noted local performer and director David Flores. This dynamic concert reading is directed by Boulevard Theatre Artistic Director and Founder, Mark Bucher.
Concert stagings/readings are gaining in popularity and growing in recognition nationally and locally. The largest theatres in Milwaukee (Milwaukee Rep, Milwaukee Chamber, Next Act, etc.) and some of Milwaukee’s more independent companies (Boulevard Theatre, Windfall, Renaissance, etc.) now regularly produce such literate events. Rehearsing a script without the (often) added stress of sets, costumes, lights, music, and other traditional production elements allows for a “pure” experience of the script, the narrative, the characters, and the playwright’s dialogue. Of course, this pathway to production also allows for a lower economic investment.
But a concert staging is not merely a reading, as concert stagings enjoy more than a few rehearsals. Often, the rehearsals span about half the time/instances of a typical rehearsal period. The actors are encouraged to steep themselves more deeply into their characterizations, as there is little or no movement. Certain aspects of a concert staging are more highly showcased, such as vocal work (diction, articulation, dynamics of volume & pitch) and – most especially – emotional resonance (heightening emotional responses within the script and displaying them at a slightly higher, sharper levels. The end result is comprable to a enjoying a wine or gourmet foodstuff as an experience, unto itself. Concert readings ask – if not demand – that patrons actively particippate in the performance. They, the patron, must listen and must tap into their collective imaginations to envision the setting, costumes, and lights to a general degree. After that necessary “intellectual admission,” audiences may luxuriate in the language, in the words, and in the interplay between all the performers, as opposed to noting that “this costume is not truly ‘in period’ ” or that a curtain is mishung, etc. Concert stagings, when effectively crafted, can offer not a diminished theatrical experience, but rather an enhanced one.
Tickets for this RARE presentation of an uncompromising comic investigation into the trials, tribulations, and rewards of matrimony (along with all the challenges of aging, declining fortunes, & unknown health) are available
Only SIX performances are available for this truly exciting premiere:
Thursday, May 9th @ 7:30 pm (Opening);
Friday, May 10th @ 8 pm ;
Saturday, May 11th @ 8 pm;
Sunday, May 12th @ 5 pm (Mother’s Day);
Thursday, May 16th @ 7:30 pm;
Saturday, May 18th @ 8pm (Final Performance).
Tickets range from just $10 (advance rate, before fees, when purchased online at the Brown Paper Tickets site) to $12 (when purchased at the door – cash, only).
Please visit the Boulevard Theatre’s event page on Face Book @ https://www.facebook.com/
The Boulevard is not responsible for lost or delayed mail or payments. Due to the intimate nature of the Graham Chapel space, guests arriving atannounced curtain times or after those time may be turned away or seated at a suitable break in the action (at the judgment of the house manager). All guests are asked to arrive 20+ minutes prior tocurtain times. Street (neighborhood) parking is available and several Milwaukee County Transit bus lines serve the adjacent UWM area. Boulevard accepts ONLY cash at thedoor. No checks, no charge cards — cash only.
Please note that Boulevard reserves the right to adjust ticket prices, according to demand. Tickets already paid for in advance or through hard copy mail (checks) or via the Brown Paper Tickets site will not experience any adjustment.
Milwaukee’s Boulevard Theatre
opened its 33rd season with a spectacularly received Milwaukee premiere
of acclaimed LGBTQ playwright Terrance McNally‘s powerful drama
Mothers and Sons
Tickets for this RARE presentation of an uncompromising, full-stop GAY narrative become available on Thursday, November 1st, 2018 (All Saint’s Day/Day Of The Dead). Only a handful of performances are available for this truly rare event: Thursday,11/15 @ 7:30pm; Sunday,11/18 @ 7pm; Monday 11/19 @ 7:30pm; Friday,11/23 @ 8pm; Saturday, 11/24 @ 8pm; and Sunday, 11/25 @ 4:30pm. Ticket prices range from $15 (advance rate, before fees, purchased online at the Brown Paper Tickets site) to $18 (before fees, when purchased at the door on day of show). Please visit the Boulevard Theatre’s event page on Face Book @ https://www.facebook.com/event
Milwaukee’s Boulevard Theatre opens its 32nd season with the NATIONAL PREMIERE of acclaimed Canadian playwright Daniel MacIvor’s affecting comedy “SMALL THINGS.”
With A Stellar Cast Showcasing Nicole Gorski, Christine Horgen, & Donna Lobacz.
Director: Mark Bucher.
Stage Manager: Jessica Principali.
Thursday, September 21 through Sunday, October 8, 2017, at the Plymouth Church.
Thursday, September 21, 2017 @ 8pm.
Saturday, September 23 @ 8pm and Sunday, September 24 @ 3pm.
Saturday, September 30 @ 8pm and Sunday, October 1 @ 3pm.
Saturday, October 7 @ 8pm and Sunday, October 8 @ 3pm.
Please Note: Boulevard’s “LIFETIME SUBSCRIPTIONS” are valid 9/21 through 9/30, only.
Tickets range from $10 – $20.
Performances held at Milwaukee’s Plymouth Church, 2717 E Hampshire, one block east of the intersection of Downer Avenue & Hampshire.
FOR IMMEDIATE RELEASE:
Fresh off its acclaimed March, 2017 staging of John Murrell’s dramatic comedy TAKING SHAKESPEARE, Milwaukee’s Boulevard Theatre (www.milwaukeeboulevardtheatre.com) begins its 32nd season by staging the NATIONAL PREMIERE of acclaimed Canadian playwright Daniel MacIvor’s tender, affecting 90-minute comedy SMALL THINGS.
Three worlds collide in a small (unnamed) town in this NATIONAL premiere of a new play by acclaimed Canadian playwright Daniel MacIvor. This trifecta of delight tells of three women who have each built a wall around themselves and who also each desire to overcome these self-imposed barriers.
THE PLOT: A well-off, retired educator (“Patricia,” played by Christine Horgen) moves to a grand house in a small town and hires a local housekeeper and companion (“Birdy,” played by Donna Lobacz). “Birdy” is a widow from the poor end of the same street. Polar opposites in personality and circumstances, their uneasy relationship becomes strained when Patricia takes an interest in Birdy’s daughter (“Dell,” played by Nicole Gorski), even as her own health declines. Dell is a single mother of two small boys, one of whom now wants to be addressed as a girl (“Alice”). To add to Dell’s challenges, circumstances have forced her to move back in with her opinionated mother. SMALL THINGS is a daffy, delightful, and delicate exploration of how it’s really just small things that can keep us from understanding and accepting each other.
Boulevard Theatre has won critical raves for its recent previous productions in Plymouth Church’s second-floor Graham Chapel space, including Eugene Ionesco’s linguistic farce THE BALD SOPRANO and John Murrell’s stirring TAKING SHAKESPEARE. Graham Chapel’s warm, cozy environment enhances an intimate connection between performer and patron and the limited seating (45 patrons) fosters a sense of community for all participants. For more information about Plymouth Church, please visit www.plymouth-church.org . SMALL THINGS ticket prices range from $10 -$20. Tickets, if available, will also be sold on the day of performances, but ONLY at the door (cash only). Deeply discounted (but obstructed) seating may also be offered for any sold-out performances, as well.
Patrons may call Boulevard’s 24-hour voice mail at 414-744-5757 or visit the theatre’s website @ milwaukeeboulevardtheatre.com for further information on this artisan-crafted comedy.
PLEASE NOTE: Boulevard Theatre is an all-volunteer organization and its ability to maintain a wide variety of social media offerings on the most timely basis may be tempered by a lack of consistent volunteers and funding challenges. Your patience, your support, and your understanding is extremely valued. If you have not noticed, these are challenging times for small nonprofits and alternative arts organizations are most especially affected. Please consider supporting our mission through your generous support and/or volunteering. Thank you
DEAR WORLD: A Milwaukee Premiere!
11/18-11/26, Saturdays @ 7:30pm and Sundays @ 3:00pm
Boulevard Theatre presents a concert reading of the cherished musical
fable DEAR WORLD by Jerry Herman (HELLO, DOLLY!, MAME). This
musical adaptation of Jean Giraudoux’s comedy THE MADWOMAN OF CHAILLOT is presented at Plymouth Church. This melodic masterpiece
tells of three colorful Parisian “madwomen”(the Countess Aurelia and her friends Constance and
Gabrielle) who cross paths with an oil conglomerate who plans to blow up Paris, as oil has been
discovered beneath its streets! Countess Aurelia went mad in her youth (because of a broken
heart) and is now known as “The Madwoman of Chaillot.” Aurelia strives to eliminate the evil corporation
– and its executives! Will the corporation be defeated? Will idealism and love triumph over greed and
materialism? Attend and fnd out!
Director/actor David Flores will stage the DEAR WORLD concert reading and Donna Kummer will
serve as music director. Flores and Kummer shared these duties for Boulevard’s acclaimed 2014 staging
of Rodgers & Hart’s musical PAL JOEY and the 2016 SMASH hit tribute to Milwaukee, WHERE THE
STREETCAR BENDS THE CORNER, DOWN BY THE ZOO! These shows enjoyed overfowing houses and
won notable critical acclaim. And both showcased LOCAL artists.
A concert reading of a musical means a modern dress, script-in-hand but fully acted performance
(accompanied by piano and staged efficiently) and is an excellent way to experience the best, rarely-
produced works of the American musical theater. This “stripping-down” can result in a new, exciting
vision of a neglected, older work.
Appearing in the leading role of “Countess Aurelia” (a role that was played by Angela Lansbury) is
esteemed actress, singer, and cabaret artist Liz Norton, who won notice for her witty portrayal of “Melba”
in the Boulevard’s concert staging of PAL JOEY. Some of Milwaukee’s most talented and appealing
performers complete the cast, including: Julie Alonzo-Calteaux, Zachary Dean, David Ferrie, Julianne
Frey, Joseph Gallo, Paula Garcia, and Chad Larget.
Attend DEAR WORLD (11/18-11/26, Saturdays @ 7:30pm and Sundays @ 3:00pm)
at the beautiful Plymouth Church.
Milwaukee’s Boulevard Theatre continued its’ 31st season with John Murrell’s Taking Shakespeare.
Fresh off the theatre’s smash October hit of Where the Streetcar Bends the Corner, which wowed hundreds of patrons at Milwaukee’s Plymouth Church, Boulevard staged this Wisconsin premiere in the cozy confines of Plymouth Church’s second-floor Graham Chapel Hall.
Canadian playwright John Murrell’s comic tutorialTaking Shakespeare debuted on Thursday, February 23 and played through Sunday, March 26. This Wisconsin premiere relays a tale of soured academia and scores high grades for amusing banter and affecting characters.
TAKING SHAKESPEARE is a shrewdly written theatrical tutorial that revolves around the unlikely pairing of a disillusioned literary professor (“Prof”) and a slacker student (“Murph”), who is obsessed with video games. Murph is the son of the dean of humanities at a small unnamed university. Despite being highly intelligent and having his own set of fresh ideas, the young man is barely passing his courses and shows little interest in his studies. In an attempt to motivate him, his mother sends him to be tutored by her former mentor, the “Prof,” at the burned-out instructor’s apartment. However, “Prof” has come to her own dramatic crossroads. Depressed and disillusioned with her life, she barely functions and has little interest in teaching the cocky young man — or any other student.
But when Murph reveals that in order to pass his English Lit class, he must demonstrate a thorough understanding of Shakespeare’s classic Othello, his reluctant tutor appears strangely thunderstruck by the assignment of this literary portrait of jealousy and regret. The cause for her intellectual paralysis only becomes apparent later in Murrell’s affecting narrative. “Prof” is Murph’s last chance at passing the course and staying in school and he is her last opportunity to retain her position, and her tenure. This unlikely pair begin an uneasy emotional journey together as–together–they work through the famous tragedy of Othello. Along the way, they timorously begin to understand the tragedies in their own lives as they deal with university politics, parental manipulation, regrets from the past, and the uncertainty of the future. The playwright dovetails Shakespeare’s tale of treachery, ambition, and betrayal alongside our modern issues of anti-intellectualism, academic oppression, and cultural malaise with an adroit humor and piercing wit. The artistic result is emotionally affecting, socially troubling and very entertaining.
Milwaukee artists Amy Callahan and Jake Konrath appeared as “Prof” and Murph respectively. Ms. Callahan has appeared previously with the Boulevard in Edward Albee’s thorny matrimonial delight, Counting the Ways. She has also appeared with other local companies in such varied pieces as Conor McPherson’s The Weir and John Murphy’s The Country Boy. Mr. Konrath has appeared with Voices Found Repertory Theatre (Coriolanus) and the Sunset Theatre (How to Succeed in Business, Without Really Trying).
Noted local actor, director, and playwright David Flores co-directed Taking Shakespeare. Flores, a powerhouse of talent, lent his classical finesse to staging Murrell’s “classy comedy.” Mr. Flores is well-known to both Milwaukee audiences and local theatrical media, having performed with a majority of Milwaukee’s cornucopia of theatre companies (Skylight Music Theatre, Off The Wall, Windfall Theatre, etc.) as well as portraying leading and key roles in Shakespeare (“Shylock” in The Merchant of Venice, the title role in Richard III, “Parolles” in All’s Well That Ends Well, etc.).
Boulevard Theatre’s Artistic Director and founder Mark Bucher contributed his directing skill set as well.
Boulevard stalwart Jaime Jastrab provided technical support. Boulevard Social Media Director Troy Freund and graphic designer Jason Krukowski contributed to the success of both productions.
The comedy showcased new and returning actors and was staged in a clean, simple style that illuminates the play’s luxurious language and concentrates on the author’s delicious dialogue.